Why do we read True Crime stories?

The world abounds with true crime stories. Dateline, a show on NBC, is all about that. The Epstein horror show is all about that. When people go missing, we all engage about the search, and (hopefully) successful recovery. If the recovery is ultimately not successful, then we obsess about the perpetrators and demand their comeuppance.

But all of those things would continue to happen without all the attention we pay. Why do we pay attention like we do?

My new book, Divorce by Grand Canyon, is all about that. Why? Because I’m as fascinated as the rest of you. I got my start when I was doing research on the famed Lizzie Borden case (still unsolved). I wrote a novel about her.

But that doesn’t explain my (our) fascination.

On my website, I try to explain why writers write, and why readers read. I hold to this explanation, as it’s the best I can do.

Why write?

Writing is a process by which we can answer the unanswerable questions about ourselves. We don the skin of a character (who is of us, but yet not us) and we throw them into situations that we find difficult, challenging, or abhorrent, and we watch our characters (ourselves) as they endeavor to climb their way out. We watch them make decisions that we would never make and watch them reap the rewards, or suffer the consequences. And by so doing, we not only hold the mirror to ourselves, but speak our truth.

Writing is a calling.

We write because we must.

Why read?

We read because we lead lives of desperate calm. We go to great lengths to avoid conflict, yet fiction is all about conflict. When we go to bed at night and pick up a book, we slide into the shoes of a character embroiled in outrageous conflict and we learn about ourselves as we watch that character act or fail to act, in ways we would or we would not, and cheer as they triumph or despair as they fail. All along the way we say to ourselves, “I would never do that,” or “I would love to do that,” all the while knowing we would never, could never. This is the nature of escapist literature; we learn about ourselves as we live vicariously through the thrilling escapades of others.

Reading is a passion.

​We read because we must.

While this addresses an aspect of fiction, I believe the same holds true as we try, in vain, to figure out why killers (particularly serial killers) do what they do. It’s interesting to me, and it’s likely interesting to you, too.

Divorce by Grand Canyon is published by IFD Publishing, as part of their Horror That Happened imprint.

Divorce by Grand Canyon

My new book, Divorce by Grand Canyon comes out today.

Included are eight true-crime stories. Seven are case stories of heinous serial killers, and one is a treatise on forensic entomology (maggots, and so forth) and how they help solve crimes.

My interest in true crime is not new. I was first intrigued when I was researching information for the infamous Lizzie Borden case. Since I’m primarily a fiction writer, I am always interested in the motivation behind peoples’ actions, particularly when they resort to murder. And in most of these cases, one murder leads to the next. What are they thinking? And then, how in the world do they think they’re going to get away with it?

And then, what do they do to get caught? How outrageous (or clueless) is their behavior that they leave a trail behind them that leads the authorities straight to them?

Seven of these stories were written for Court TV’s Crime Library, and one was published as a stand-alone book called “Something Happened to Grandma.”

This book is published under the Horror that Happened imprint of IFD Publishing.

I hope you’ll enjoy these stories, and remember to lock your doors at night.

 

Horror That Happened

My publisher, IFD Publishing, has opened a new imprint, Horror that Happened. I’m delighted that the first will be my perennial bestselling Lizzie Borden.

This is the official announcement:

IFD launches New Imprint: HORROR THAT HAPPENED

 The outrageous is all the more extraordinary when we know it actually occurred.

 

Horror that Happened provides riveting stories in three categories: True Crime, Based on a True Story, and Lifted from the Past.

The imprint will be launched with the release of Elizabeth Engstrom’s Lizzie Borden under the subcategory, Based on True Story. In the novel, Engstrom imagines an intimate view of the life of Lizzie Borden during the period surrounding the murder of her parents.

On September 1, 2019, IFD Publishing will release within the same category, A Parliament of Crows, by Alan M. Clark. The novel is inspired by the lives and crimes of the infamous Wardlaw sisters, 19th century American murderers.

 Following that, in the True Crime category, will be Elizabeth Engstrom’s Divorce by Grand Canyon.

Lifted from the Past will include unsettling works in the public domain, such as Jack London’s The People of the Abyss, and various writings about the Bell Witch from the 19th century.

We hope you will come back to IFD Publishing for your high-quality reading entertainment.